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In truth, what it means to be an evangelical has always depended on the world beyond the faith. “when evangelicals define themselves in terms of Christ’s atonement or as disciples of a risen Christ, what sort of Jesus are they imagining? Is their savior a conquering warrior, a man’s man who takes no prisoners and wages holy war? Or is he a sacrificial lamb who offers himself up for the restoration of all things? How one answers these questions will determine what it looks like to follow Jesus. Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation
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He was the latest and greatest high priest of the evangelical cult of masculinity.” He was a hero for God-and-country Christians in the line of Barry Goldwater, Ronald Reagan, and Oliver North, one suited for Duck Dynasty Americans and American Christians. Unencumbered by traditional Christian virtue, he was a warrior in the tradition (if not the actual physical form) of Mel Gibson’s William Wallace. He was the reincarnation of John Wayne, sitting tall in the saddle, a man who wasn’t afraid to resort to violence to bring order, who protected those deemed worthy of protection, who wouldn’t let political correctness get in the way of saying what had to be said or the norms of democratic society keep him from doing what needed to be done.
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Donald Trump was the culmination of their half-century-long pursuit of a militant Christian masculinity. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.“Evangelicals hadn’t betrayed their values. And evangelical culture is teeming with muscular heroes-mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done.Ĭhallenging the commonly held assumption that the “moral majority” backed Donald Trump in 20 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community.
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Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex-and they have a silver ring to prove it. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism-or in the words of one modern chaplain, with “a spiritual badass.”Īs acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism.